As you may
know, the new issue of Molten Magazine came out last week. It was delayed for
numerous reasons, and as a result, a number of articles and reviews were cut.
Two of my reviews, disappointingly, didn’t make it in – Nile and Baroness.
You’ll find the two short reviews published below, with the gracious permission
of Molten. Of course, Baroness were in the news these last few days after their
horrific, but thankfully not fatal, bus crash in Bath, England. Here’s hoping
they pull through ok.
Baroness - Yellow & Green
Baroness’
evolution has been a joy to watch. Their third record, a staggering double
album, Yellow and Green sees the band take steps toward more and more
progressive rock climes. The Georgian band are still ridden with a flair of
southern sludge too but have opened the floodgates for so much more, from pop
to ambient soundscapes. The end result is a totally jaw-dropping record.
Yellow and
Green is expansive, adventurous and a beautiful materialisation of the band’s,
always honest, efforts. Decidedly less heavy than previous releases, Yellow
and Green has made a concerted effort to craft a lush, hypnotic and immersive
experience across its 77 minutes of southern stained atmospheric prog rock – an
attempt more than accomplished.
Dressed with
so many layers, ‘Yellow and Green’ holds you in the palm of its hand from the
unabashed southern rock of ‘Take My Bones Away’ through to closer ‘If I Forget
Thee, Low Country’.
4.5/5
Nile - At The Gate of Sethu
There’s one
thing you can mark down as reliable – Nile will regularly release albums and at
the very least they will be reasonably solid and sometimes magnificent. Seventh
album, At The Gate of Sethu sees the South Carolinian death metal veterans
tread more so on the former. The album is tight, solid and well executed.
At The Gate
of Sethu has all that you’d expect – Karl Sanders’ searing lead guitar
playing, buckets of brutality, progressive minded techniques, and Ancient
Egyptian themes and of course, ludicrously long song titles.
The gleaming
production work, at the hands of Neil Kernon, has once again given Nile a great
void to unfurl their cerebral death metal with much room to breathe. At The
Gate of Sethu isn’t the band’s finest outing but is satisfyingly heavy and
crushing, and doesn’t stray too far into abyss either.
3/5
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