Crafting two
monumental pieces clocking in over 20 minutes, Downfall of Gaia had found
something that was a little more… them. With that in mind, it may very well
have been that evolution that garnered more attention for these Germans that
ultimately led to their signing with Metal Blade.
Suffocating
in the Swarm of Cranes is the result of the band’s continued growth, a growth
that has seen them eschew the crust and hardcore roots they came from in favour
of a post metal sound, but one that has also allowed a strong black metal
influence to permeate the record, but not that of orthodox BM. Downfall of Gaia
have clearly been listening to Altar of Plagues and Krallice in the gestation
of this record, more so the former. Suffocating in the Swarm of Cranes is,
consciously, more emotionally intense and atmosphere driven and while not
conquering the same summits as Altar of Plagues, the album displays a great
deal more depth than Downfall of Gaia’s previous work.
This second
full-length effort eclipses Epos in every way. It’s longer, more ambitious,
more focused and the ambition and vigour is heard in each sorrow drenched note
as well as the searing harmonic three way of the vocals. The split material has
certainly informed the band’s decision to protract their compositions as each
song is a lengthy offering with the album just shy of the one hour mark,
dragging us through several peaks and troughs, like the melodic hardcore and black
metal hybrid that characterises 'Drowning by Wings Beats' and 'In The Rivers
Bleak'.
Bleak is
very much a recurring theme. A concept record about one man’s descent into
insanity, Suffocating in the Swarm of Cranes is a wilfully dark and harrowing
album but one that’s altogether cathartic at the same time. The 10 minute 'I
Fade Away' is wrought with bleak beauty as the band traverse eerie melody and
razor edged ferocity while instrumental closes '[Asphyxia]' ends the album on a staggering
note, suitably rounding off Downfall of Gaia’s next step in their stunning
ascent.
8/10
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