The demo
consists of three lengthy tracks. The production is, as one would expect,
steeped in the mire with a coarse guitar tone and vocals submerged deep in the
mix. The raw sound serves the overall delivery of the demo quite well; demonstrated
by Seidr’s Jack Hannert and his deathly screeches and howls. Meanwhile, Austin
Lunn gifts this demo with dashes of beautifully implemented clean vocals that
complement the wounded shrieks that dominate the demo, vocally. He has spent
years crafting a reputation for himself for poignant and melancholic
atmospheric black metal under the guise of Panopticon and he certainly brings
that element to the forefront in Kólga.
‘Fires on
the Shoreline’ instigates with a haze of distortion and a wash of ambient
atmospherics gleaned over it. The melancholic vibe is dripping with desolation
and despair, a theme that repeats all throughout this demo and it’s all
accentuated by the distant pained shrieks all buried beneath the morass,
crafting a feeling of hopelessness.
‘Out of the
Wood’ then strangely combats the despondency prior with affecting clean guitar
work. Meanwhile, ‘Sky Wheel’ utilises the hypnotic clean vocals to superb
effect once again, after the heaving intro of near catchy riffs. Like the distant
howls, they complement the desperate, emotive feel of the demo without ever
dampening the raw aggression of the pummelling drums.
Kólga’s demo
is such seething hail of discord for the most parts that’s opposed several
times by moments of eerie, creepy melody. This dichotomy is what makes Kólga so
utterly enthralling and even menacing, and whatever they have planned, album
wise, couldn’t come around sooner.
8/10
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